Lisa Seebach (b. 1981 in Cologne, Germany) makes sculptures appearing like enlarged scenographic drawings transcribed in space by blurring the boundaries of the mental and physical, the material and immaterial space in order to create psychological spaces, bodily experiences of thoughts. The use of handmade glazed ceramics and steel typifies her work.

Seebach received both her master’s and undergraduate degrees at the Braunschweig University of Art, Braunschweig, Germany. Seebach is the recipient of numerous awards and grants. In 2017, Seebach received the Kunstfonds Bonn Scholarship and she recently completed a residency at the International Studio and Curatorial Program (ISCP) in New York. She also received the Friedrich-Vordemberge Prize, Cologne, the Gustav Weidanz Award, Halle and the Artist’s Prize of Brandenburg, all in 2016.

In 2023, Seebach has a solo exhibition We would provide complete darkness at the Kunstverein Friedberg (Hesse) (catalog). Recent exhibitions include THIS BUILDING IS A BODY [CLUB UTOPIA], Rudolf-Scharpf-Galerie / Wilhelm-Hack Museum, Ludwigshafen, Germany, 2022 (solo), Entrée, Bergen, Norway 2021, (solo), When the stage turns dark tomorrow, Kunstverein Braunschweig, 2019 (solo), Phantom Spaces and Viscous Fictions at the Kunsthalle Lingen, Lingen, Germany, 2018 (solo) and How stars are just holes in the sky at the Kunstmuseum Moritzburg (Halle/Saale), 2018 (solo) (catalog). Other recent solo shows include Turn Gallery, New York, 2017, and the exhibitions Sometimes night comes too quickly at artotek Köln (cat.), 2016, and Dear Fear at the Kunstlerhaus Meinersen (cat.), 2015. Recent group exhibitions include Paradiesspiele / MyPrivateParadise, Neuer Pfaffenhofener Kunstverein, Pfaffenhofen, Germany, 2018 travelling to Kunstverein Ludwigshafen, Ludwigshafen am Rhein in 2019, Back to the Shack at Meliksetian | Briggs curated by André Butzer, 2017, Kunstverein Hannover, 2015, Villa Arson Nice, France, 2015 and the Biennial Mulhouse, Mulhouse, France, 2014.