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Johannes Wohnseifer, Password-Painting (Cherry Coke)

Johannes Wohnseifer

Password-Painting (Cherry Coke)

2020

Acrylic, lacquer, Scotchlite on Aluminium

63 x 51 ¼ x 1 5/8 in / 160 x 130 x 4 cm

JW_022

Johannes Wohnseifer, I Dreamed

Johannes Wohnseifer

I Dreamed

2020

Acrylic, lacquer, Scotchlite on Aluminium

19 5/8 x 27 ½ x 1 5/8 in / 50 x 70 x 4 cm

JW_027

Yifan Jiang, Cranes 1 and 2

Yifan Jiang

Cranes 1 and 2

2024

Oil on canvas

40 x 40 in / 101/6 x 101.6 cm each

YJ069 / 70

Cody Trepte, Again And, 2021

Cody Trepte

Again And, 2021

Ballpoint pen ink and gesso on panel

50 x 40 x 2 in / 127 x 101.6 x 5.1 cm

Unique

CT047

Yifan Jiang, Drive, 2023

Yifan Jiang

Drive, 2023

Oil on canvas

86 x 60 in / 218.4 x 152.4 cm

YJ056

Press Release

Ephemeral Traces: Time, Memory, Perception is a group exhibition featuring works by Yifan Jiang, Cody Trepte and Johannes Wohnseifer.  Their shared exploration of ambiguity, memory, and the interplay between the tangible and elusive creates striking conceptual and visual relationships. 

 

New York-based Yifan Jiang constructs psychological landscapes that mirror dreamlike structures, weaving personal experiences with philosophical inquiries into cultural memory and language, proposing new ways of seeing the world. In the painting Nap, Jiang creates a dreamlike seascape of a marching band traversing undulating waves as a tiny figure sleeps on a duck pedal boat. Emerging from the fluffy clouds, a cat sleeps peacefully in Travel Pillow. In contrast, Drive captures the dynamic sensation of speeding in a Lamborghini, rendered in an energetic, futuristic style.

 

Drawing from philosophy, physics, and astronomy, Texas born, Los Angeles-based Cody Trepte explores the contradiction between chance, and time as fixed or predetermined.  For instance, From Both Moments of Another features an algorithmically altered found image of a stone ruin, silkscreened with ink which shifts from black to magenta based on the viewer’s angle, lighting, and time of day, embodying the unfixed and conditional nature of perception and time. Trepte’s panel works, Again And and Almost Always explore contradictions between random and fixed positions.

Johannes Wohnseifer investigates the construction of memory, how subjective perception makes time pass quickly or slowly in a world of shifting cultural values, drawing on consumer imagery and references from Cherry Coke, the Rolex “Daytona” and his friend and mentor Martin Kippenberger’s Capri paint­ings, to dreams, disco, the latest memes, word play, codes and riddles, all of which are synchronized, consolidated and fused into these works. By blending digital and analog processes, Wohnseifer, who is based in Cologne, Germany explores themes of memory, representation, and the intersection of technology and traditional art forms, creating works that oscillate between the familiar and the cryptic.  Together, these artists offer profound reflections on the mutable nature of time and memory.

 

Click the link below to see the PDF with more information and images of  the works on view.