David-Jeremiah
David-Jeremiah
2023
Installation view at 150 Manufacturing Street
David-Jeremiah
2023
Installation view at 150 Manufacturing Street
David-Jeremiah
2023
Installation view at 150 Manufacturing Street
David-Jeremiah
2023
Installation view at 150 Manufacturing Street
David Jeremiah
Soppierricone, 2023
Wood panel, oil-based enamel, mixed media
Externalized
94 x 78 x 9 in / 238.76 x 198.12 x 22.86 cm
Unique
DJ014
David Jeremiah
Soppierricone, 2023
Wood panel, oil-based enamel, mixed media
Internalized
65 x 48 x 35 in / 165.10 x 121.92 x 88.90 cm
DJ014B
David Jeremiah
Lo Rosupro, 2022
Wood panel, oil-based enamel, mixed media
91 x 31 x 9 ½ in / 231.1 x 78.7 x 24.1 cm
Unique
DJ011
David Jeremiah
J-U/41, 2023
Wood panel, oil-based enamel, mixed media
95 x 96 x 9 in / 241.3 x 243.8 x 22.9 cm
DJ017
David-Jeremiah
2023
Installation view at 150 Manufacturing Street
David Jeremiah
Soppierricone, 2023
Wood panel, oil-based enamel, mixed media
Externalized
91 x 31 x 9 ½ in / 231.1 x 78.7x 24.1 cm
DJ022
David Jeremiah
Soppierricone, 2023
Wood panel, oil-based enamel, mixed media
Internalized,
29 x 36 x 22 ½ in / 73.7 x 91.4 x 57.2 cm
DJ022B
David-Jeremiah
2023
Installation view at 150 Manufacturing Street
David Jeremiah
Soppierricone, 2023
Wood panel, oil-based enamel, mixed media
Externalized
76 x 71 x 9 ½ in
DJ023
David Jeremiah
Soppierricone, 2023
Wood panel, oil-based enamel, mixed media
Externalized
78 x 83 x 8 ½ in / 198.1 x 210.8 x 21.6 cm
DJ024
David Jeremiah
Soppierricone, 2023
Wood panel, oil-based enamel, mixed media
Internalized
49 x 53 x 26 in / 124.5 x 134.6 x 66 cm
DJ024B
David Jeremiah
Soppierricone, 2022
Wood panel, oil-based enamel, mixed media
Diptych: Externalized, 76 ¾ x 83 ½ in / 194.94 x 212.09 x 33.02 cm; Internalized, 79 ½ x 72 ½ x 32 ½ in / 201.93 x 184.15 x 82.55 cm
Unique
Part one of a two part work
DJ015
David Jeremiah
Soppierricone, 2022
Wood panel, oil-based enamel, mixed media
Diptych: Externalized, 76 ¾ x 83 ½ in / 194.94 x 212.09 x 33.02 cm; Internalized, 79 ½ x 72 ½ x 32 ½ in / 201.93 x 184.15 x 82.55 cm
Part two of a two part piece
DJ015B
David Jeremiah
Soppierricone, 2022
Wood panel, oil-based enamel, mixed media
Diptych: Left panel, 71 x 77 in / 180.3 x 195 .6 cm; Light panel, 51 x 50 x 26 in / 129.5 x 127 x 66 cm
Unique
Part one of a two part piece
DJ013
David Jeremiah
Soppierricone, 2022
Wood panel, oil-based enamel, mixed media
Diptych: Left panel, 71 x 77 in / 180.3 x 195 .6 cm; Light panel, 51 x 50 x 26 in / 129.5 x 127 x 66 cm
Unique
Part two of a two part piece
DJ013B
David-Jeremiah
2023
Installation view at 150 Manufacturing Street
David Jeremiah
Soppierricone, 2022
Wood panel, oil-based enamel, mixed media
Diptych: Left panel: 95 x 96 in / 241.3 x 243.8 cm; Right panel, 68 x 48 x 27 in / 172.7 x 121.9 x 68.6 cm
Unique
Part one of a two part piece
DJ012
David Jeremiah
Soppierricone, 2022
Wood panel, oil-based enamel, mixed media
Diptych: Left panel: 95 x 96 in / 241.3 x 243.8 cm; Right panel, 68 x 48 x 27 in / 172.7 x 121.9 x 68.6 cm
Unique
David Jeremiah
Soppierricone (black), 2022
Wood panel, oil-based enamel, mixed media
Diptych: Left panel: 95 x 96 in / 241.3 x 243.8 cm; Right panel, 68 x 48 x 27 in / 172.7 x 121.9 x 68.6 cm
Unique
Part two of a two part piece
DJ012
DJ012B
David-Jeremiah (Oak Cliff, TX) lives and works in Dallas, Texas. He is a recipient of the 2020 Nasher Sculpture Center Artist Grant Award. Recent exhibitions include I Drive Thee at Meliksetian | Briggs, Los Angeles, the Houston Museum of African American Culture, Houston TX (solo), the immersive installation work FOGA: Real N*gga Edition at CulturalDC, Washington D.C. (solo) Project Row House, Houston, TX (group), Gallery Kendra Jayne Patrick at Halsey McKay Gallery, East Hampton, NY (solo), Anonymous, New York, NY (solo) and Public Trust, Dallas, TX (solo). His work can be seen at the Celine store, New Bond Street, London and a work from the series I Drive Thee was recently acquired by the Dallas Museum of Art for their permanent collection.
David-Jeremiah is one of the 2023 Art Influencers in the June / July issue of Patron magazine. Article by Christopher Blay.